February 11, 2026

How New York Fabrics Led to the Olympics

Once day, when Beata was three, Tomoko took her shopping with her at New York Fabrics in Larkspur. “See all the pretty fabrics, Peachiko. Isn’t this fleece soft?” Peachiko, Beata's pet name, was amazed at all the colors as her mother  swept through the store. As they left the building, Beata pointed left. “What’s that place?" 

Tomoko answered, “Raydine Ice Skating Rink.” Then she had an inspiration. Always looking for some activity for Beata, Tomoko thought, “Peachiko is very coordinated, and she likes to move to music, so this might be fun.” She and Beata walked across the street, and entered the main lobby. Following the music and sound of skating, Tomoko and Beata peered into the rink, and sat down on a bleacher to watch. Tomoko could see Beata shiver a little, and she pulled the sweater over her daughter’s head.  “Look, Mummy! It’s a girl like me!”  

“Would you like to skate too, Peachiko?” Tomoko never skated 

“Yes, Mummy, can I?” 

 Tomoko took Beata’s hand, and asked at the service desk, “Do you have teachers and skates?” 

“Of course,” answered the young clerk. Then he motioned over a friendly looking gentleman in his forties wearing a big black overcoat and Russian style hat, learning on a guard rail. 

How do you do? My name is Tony Howard.” He took Tomoko’s hand warmly, as she greeted him. Tomoko recognized a British accent in his voice. He had immigrated from London to San Francisco in 1955, and made his living teaching skating at the Bay area skating rink.  

Tony bent his knees to greet Beata. “And  what is your name?  Would you like to skate?” Beata nodded solemnly. 

“My daughter Beata would like to try. Could you give her a lesson?” Somehow, Tomoko felt that she should use Beata’s formal name. 

“Let’s see what we can do, all right?”   

With that, Tony walked her onto the ice. Tomoko watched as Tony guided Beata to the middle, away from the other skaters, and then showed her how to balance and walk on the ice. He got her to swivel a bit, had her try jumping, and made her practice how to bend and fall – and get back up again without hurting herself. Beata stuck right by Tony, once in a while waving at her mother.  Then Tony swooped Beata up in his arms and glided once around the rink, letting Beata feel the wind in her face. “Whee!” she cried. 

That was the start. Beata couldn’t wait to tell her Daddy about ice skating that night. “And I jumped and I turned and I went all around!” Beata said breathlessly as she acted out each part. She stretched out her arm, “And breezes come in!”  

Twenty years later, after thousands of hours of practicing, thousands of dollars in  competition and other expenses, and the perfect ice dance partner and husband, Beata and and Charles climbed up the competition ranks: from tenth to second place in the U.S. Championships. “The Olympics actually looked promising,” thought the two, even though Charles was pushing the usual age limit for such high-stakes competitions. Then Charles experienced two setbacks: a knee surgery that resulted in a blood  in his calf, and a torn meniscus the month after; he missed two months of practice. Nevertheless, they placed fourth in the Four Continents Championships and fourth place in the Olympic team. “So close!” the couple sighed, since only two couples would be sent to Salt Lake City for the 2002 Winter Games. But then, the two top teams were eliminated because of citizenship programs, so Beata and Charles were granted the second spot. They were also the only married couple in the American delegation. “We’re actually going to compete in the Olympics!” they cheered. Once the reality set in, Beata and Charles were more sober, “It’s not much time to prepare; we’ll have to ‘up’ our game even more.”               

The pressure was worth it. The Olympics experience was a high point for the whole family
And It all started with the fabric store. 

February 9, 2026

Iconic Piano Valentines

What’s a better way to celebrate Valentine’s Day than with a romantic piano piece? Sweeping melodies from the Romantic era, focusing on themes of love, longing, and intimacy, set a passionate, intimate mood. 

Frédéric Chopin is widely considered the ultimate romantic composer for the piano.

    • Nocturne in E-flat Major, Op. 9, No. 2 is a soft, delicate piece often compared to a whispered love letter.
    • Piano Concerto No. 2 (Larghetto) was composed while Chopin was deeply in love with soprano Konstancja GÅ‚adkowska, pouring his unspoken feelings into the music.
  • Franz Liszt is known for transforming technical prowess into pure emotion.
    • Liebestraum No. 3 (Dream of Love), Liszt’s most famous romantic work, was originally a song about unconditional love.
    • Consolation No. 3 is a tender, peaceful piece that offers a more intimate, comforting mood.
  • Robert and Clara Schumann’s real-life romance is legendary in music history.
    • Widmung (Dedication) was originally a song Robert wrote for Clara as a wedding gift. It was later transcribed for solo piano by Liszt to capture its soaring passion.
    • Liebesfrühling (Love Spring) is a collaborative set of works expressing their shared devotion. 
  • Sergei Rachmaninoff is known for "sweeping" romanticism.
    • Piano Concerto No. 2 (Adagio sostenuto)’s slow movement is world-renowned for its lush, heart-aching melody.
    • Rhapsody on a Theme of Paganini, Variation 18, one of the most passionate themes ever written, is often performed as a solo piano arrangement.
  • Claude DebussyClair de Lune is a staple for Valentine’s Day, offering a dreamy, moonlit atmosphere full of tenderness.
  • Ludwig van Beethoven"Moonlight" Sonata (1st Movement) provides a hauntingly beautiful, intimate setting perfect for a quiet evening.
  • Johannes BrahmsRomance in F Major, Op. 118, No. 5 is a mature, deeply felt expression of affection. 
No wonder that the Romanic era is one of Tomoko's favorite musical periods. 

January 27, 2026

Melodies about Mermaids

Tomoko was born in Tokyo long before that city’s Disneyland Sea, which features the mermaid Ariel. Mermaids have inspired piano composers for centuries because of their mythical and ethereal nature. These compositions often feature Impressionistic, flowing piano, or orchestral techniques to evoke the sea's mystery. Here are a few examples.

  • Franz Joseph Haydn composed "The Mermaid's Song" (1794) as part of his 12 English Canzonettas. It features a shimmering piano prelude meant to evoke the movement of water.
  • Enrique Granados wrote a piano piece titled "La Sirena" during his early career (c. 1884–1895) as he developed his distinct Spanish romantic style.
  • William Gillock included a piece titled "Song of the Mermaid" in his 24 Preludes in Romantic Style, a popular educational collection for solo piano.
  • Claude Debussy’s movement "Sirènes" from Nocturnes is a cornerstone of mermaid-inspired music. His piano prelude "La Cathédrale Engloutie" (The Sunken Cathedral) also evokes a similar mystical underwater atmosphere. 

The mermaid motif continues today in piano compositions.

  • Alan Menken, known for his music for Disney’s The Little Mermaid, has been extensively arranged for classical piano solo and duet, notably by Phillip Keveren.
  • Alla Pavlova composed "The Mermaid" as part of her Six Piano Impressions After Fairy Tales by H.C. Andersen (2015).
  • Vladimir Titov wrote "Mermaid" Op. 8 No. 2, which features a mirrored hand technique on the piano. 

Tomoko is no mermaid, but over the years she has certainly made a splash with her piano performances and teaching.

January 10, 2026

Music to Ice Skate By

 The winter Olympic Games are upon us. Tomoko's daughter Beata was an Olympics dance skater, and she continues in that profession. Beata had the advantage of knowing about music, starting with her mother, so she understood the importance of music -- and choosing the most effective pieces -- for choreographing a skating routine.

Classical music is a mainstay of ice skating, ranging from lighthearted winter waltzes to intense dramatic scores used by Olympic champions. 

Iconic Classical Pieces for Skating

These works are specifically associated with the atmosphere of ice skating or are frequently performed in competitive routines: 

  • The Skaters' Waltz (Les Patineurs) by Émile Waldteufel: Composed in 1882, this is the most iconic piece of "skating music," featuring flowing melodies and the sound of bells to mimic a wintry rink.
  • Boléro by Maurice Ravel: Famous for its steady, building rhythm, most notably used in the perfect 6.0-scoring routine by Torvill and Dean in 1984.
  • Swan Lake by Pyotr Ilyich Tchaikovsky: A competitive staple, used by gold medalists like Oksana Baiul (1994) to evoke elegance and drama.
  • The Four Seasons: "Winter" by Antonio Vivaldi: Features sharp, rapid string work that matches the precision of high-level footwork.
  • Carmen (Habanera/Prelude) by Georges Bizet: Frequently used for its intense energy; famous for the 1988 "Battle of the Carmens" between Katerina Witt and Debi Thomas.
  • Moonlight Sonata by Ludwig van Beethoven: A popular choice for romantic or emotional programs, used by pairs such as Gordeeva and Grinkov. 

 

Popular Orchestral Selections

Many skaters select movements from larger classical works that provide a mix of slow, lyrical sections and powerful finales: 

  • Rachmaninoff: Piano Concerto No. 2 and No. 3.
  • Rimsky-Korsakov: Scheherazade.
  • Saint-Saëns: "The Swan" from The Carnival of the Animals and Danse Macabre.
  • Stravinsky: The Firebird and The Rite of Spring.
  • Mahler: Adagietto from Symphony No. 5. 

 

Curated Playlists & Collections 

You can find these and other classical skating tracks on the following platforms: