Even though each composer impresses the same processes, each
one has a unique sound. “I respect every composer and their style,” says
Tomoko.
Tomoko suggests Bach as a good composer for younger students
because of his structure and use of chords. “He was very mathematical.”
Tomoko notes how Bartok’s compositions often built on folk
music, particularly Rumanian folk dances. The communal spirit of dance responds
to the spirit of the music. “Music and dance are natural parts of human
community celebrations such as weddings.”
“I like Schubert. He is peaceful, and his quality of tone is
memorable,” remarks Tomoko.
Similarly, “Chopin is very quiet. You hardly touch the
keyboard, but he was a good pianist,” Tomoko advices, “Chopin’s Etude Opus 25/ #1 and #2 is good to give to young pianists. They can enjoy the melody first.” As
for herself, I have been playing Chopin’s Nocturne Opus 27 #2 all my life. It’s a great
piece for weddings, and I always play it for encores.”
“ In contrast, Liszt has lots of action,” Tomoko says. “Interestingly,
Liszt was a very religious man,“ says Tomoko. She adds, “ Liszt didn’t find his
inspiration in nature; instead, he focused on man’s creations and imagination.”
“Beethoven’s strength was also internal, but he was very
human in his approach,” notes Tomoko. “His emotions were strong inside, and his
mind could orchestrate.” She continues, “Consider his Fidelio; it is very
powerful, but it is all balanced. “
