Museums serve as a way to collect and preserve cultural
artifacts with the intent of connecting the past with the present. Tomoko has a great deal of respect for
history and for museums.
Even as a young student, Tomoko knew about the history of
music, and its impact on culture. She sang songs about Japan, which were built
on European music. Many European musicians came to Japan in the early 20th
century, and settled there. Tomoko loved
to go to concerts in colleges where European musicians performed, saving her
money, and sit in the high concert hall tiers.
In particular, the reputation of classical European music
impressed Tomoko, and she was eager to visit that continent to experience that
tradition first hand. Her first time was in 1967 when she performed at the
Long-Thibaud piano competition. She spent the next two months touring Europe on
her Eurail Press. When she visited Bruges in Belgium, Tomoko she saw Flemish
painting in their museum, and was impressed with their detail and line quality.
She remarks, “Every artist is saying something.” She continues: “Music can be
like an art project; composers combine instruments to create a unique sound.”
The next year Tomoko met a friend in Florence, where she visited
a museum housed in a Medici residence. Tomoko asked, “May I use your
harpsichord? ” She wanted to know how it sounded, and the museum staff
answered, “You have to try it.” Tomoko played Bach’s Prelude in C sharp major
BWV 848 on this antique, and recalls, “The instrument needed to be tuned.”
Later, in the Chopin Museum, she played his raindrop prelude
on their piano. Tomoko remembers how the
place was positioned on the land; when she saw a movie about Chopin, it
included an ocean in the background; “That wasn’t real,” she asserts. Next door
to his place was a monastery, instead, because of his asthma, which was not
mentioned in the film. But you can still enjoy the music.”
Tomoko strongly encourages her students to travel, and to
explore museums and other historical landmarks. “History is connected with
music and people and politics.” And composers’ museums are particularly
ingsightful. “When you get familiar with a composer’s life, you can examine his
rhythm more fully because you know its context.” On a final note, Tomoko
advises, “Be curious and courageous when it comes to the arts.”
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