February 25, 2026

Go for Baroque

One of Tomoko’s CD piano albums features Baroque pieces. While the modern piano) was not invented until the very end of the Baroque era, the period is defined by keyboard masters who wrote for its predecessors: the harpsichord, clavichord, and organ. Today, their works are standard repertoire for modern pianists. 

The "Big Three" keyboard masters were Bach, Scarlatti, and Handel.

Johann Sebastian Bach (1685–1750) is considered the definitive Baroque master. His The Well-Tempered Clavier is often called the "Old Testament" of piano music. Other essentials include the Goldberg VariationsEnglish and French Suites, and his many Inventions.

Domenico Scarlatti (1685–1757) was an Italian composer famous for writing over 555 keyboard sonatas. His works introduced innovative techniques like hand-crossing and rapid repetitions that pushed the boundaries of what was possible on a keyboard.

George Frideric Handel (1685–1759) is best known for his 8 Great Suites (HWV 426–433), which are standard for modern performance. 

Other Baroque keyboard composers are known more in their own country.

In England, John Blow (1549-1708) wrote 30 odes for royal celebrations (he was James II private musician), 50 secular song-like pieces and more than a hundred anthems. One of his students, Henry Purcell (1659-1695), wrote distinctive English suites and rounds.

In France, Francois Couperin (1668-1733) is known for his elegant harpsichord pieces with their intricate ornamentation. Countryman Jean-Philippe Rameau (1683-1764) was a renown music theorist who used composition techniques never known before, but placed them within the framework of old-fashioned forms.

In Germany, Johann Pachelbel (1653-1706) mastered counterpoint and wrote influential organ/keyboard variations. The Danish composer Dietrich Buxtehude’s (1637-1707) works are typical of the North German organ school.

In Italy, Girolamo Frescobaldi pioneered early Baroque toccata and ricercar forms. Baroque composer countryman Domenico Zipoli (1688-1726) is remembered as the most accomplished musician and composer among Jesuit missionaries; he worked mainly in South America. Italian Lodovico Giustini (1685-1743) is credited with writing the first music specifically for the piano.