Music to Ice Skate By

 The winter Olympic Games are upon us. Tomoko's daughter Beata was an Olympics dance skater, and she continues in that profession. Beata had the advantage of knowing about music, starting with her mother, so she understood the importance of music -- and choosing the most effective pieces -- for choreographing a skating routine.

Classical music is a mainstay of ice skating, ranging from lighthearted winter waltzes to intense dramatic scores used by Olympic champions. 

Iconic Classical Pieces for Skating

These works are specifically associated with the atmosphere of ice skating or are frequently performed in competitive routines: 

• The Skaters' Waltz (Les Patineurs) by Émile Waldteufel: Composed in 1882, this is the most iconic piece of "skating music," featuring flowing melodies and the sound of bells to mimic a wintry rink.
• Boléro by Maurice Ravel: Famous for its steady, building rhythm, most notably used in the perfect 6.0-scoring routine by Torvill and Dean in 1984.
• Swan Lake by Pyotr Ilyich Tchaikovsky: A competitive staple, used by gold medalists like Oksana Baiul (1994) to evoke elegance and drama.
• The Four Seasons: "Winter" by Antonio Vivaldi: Features sharp, rapid string work that matches the precision of high-level footwork.
• Carmen (Habanera/Prelude) by Georges Bizet: Frequently used for its intense energy; famous for the 1988 "Battle of the Carmens" between Katerina Witt and Debi Thomas.
• Moonlight Sonata by Ludwig van Beethoven: A popular choice for romantic or emotional programs, used by pairs such as Gordeeva and Grinkov. 

 

Popular Orchestral Selections

Many skaters select movements from larger classical works that provide a mix of slow, lyrical sections and powerful finales: 

• Rachmaninoff: Piano Concerto No. 2 and No. 3.
• Rimsky-Korsakov: Scheherazade.
• Saint-Saëns: "The Swan" from The Carnival of the Animals and Danse Macabre.
• Stravinsky: The Firebird and The Rite of Spring.
• Mahler: Adagietto from Symphony No. 5. 

 

Curated Playlists & Collections 

You can find these and other classical skating tracks on the following platforms:

• 55 Ice Skating Classics (Spotify): A comprehensive collection including Strauss waltzes and Puccini arias.
• Figure Skating's Greatest Hits (Europadisc): A curated CD featuring Tchaikovsky, Ravel, and Vivaldi.
• Best Figure Skating Classics (Apple Music): Includes competitive favorites like the "Sabre Dance" and "Méditation" from Thaïs. 

Fall for these Romantic October composers

 

As fall can evoke a romantic spirit, let’s celebrate five Romantic composers who began their lives in October.

Verdi was born October 9 or 10, 1813, near Busselo (Italy). While yet a teenager, Video wrote a set of variations for the pianoforte, which he performed publicly in may venues. As an adult her also gave private lessons, included to Margherita Barezzi, who became his first wife. A romantic, operatic story in itself.

Liszt was born October 22, 1811, in Raiding, Hungary. Like Verdi, who was about the same age, Liszt was a Romantic composer, but his list of piano compositions and performance greatly outpaced Verdi’s. Liszt was also a professional concert pianist, from age 10, and continued for decades, becoming a 19^th century “star” in Europe. He also taught hundreds more students than Verdi.

Johann Strauss II was born October 25, 1825, in Vienna. He composed over 500 dance pieces amd other light music. Known as the Waltz king, he popularized the Viennese waltz.

Saint-Saens was born October 9, 1835, in Paris. He too was a Romantic composer and performer. He started his public piano performances at age 10, although he made more money as an organist.   He taught both organ and piano studies, but left that profession to focus on composing and performing. During World War I he performed frequently to raise money for war charities. Even at age 86 he was still playing professionally.

Bizet was born October 25, 1838, in Paris. Bizet was an award-winning pianist himself, but he didn’t want to be known for this skill, so he seldom performed publicly. Mainly known for his operas, especially Carmen, Bizet also composed for the piano, but was largely ignored for them. To make a living, Bizet made hundreds of piano transcriptions of other composers’ pieces.

 

Laboring Music

 Labor Day celebrates workers, which includes pianists and other musicians. Here is a sampling of classical music that honors labor. While most of these pieces were not originally composed for the piano, arrangements for piano are usually available.

Probably the most renown piece that celebrates labor is Copland’s Fanfare for the Common Man, which honors those who fought in WWII. In response, Joan Tower wrote Fanfares for the Uncommon Woman, which is scored identically to Copland’s Fanfare. Copland also honored cowboys in his ballet Rodeo; the selection “Hoe-Down” is frequently performed on the piano.

For most of civilization, farming has been the job of the majority of people. Schumann's “The Happy Farmer” is one piece from his collection Album for the Young,  which was written for his own children to teach them about the piano. All the pieces are relatively easy to play, unlike the work of the farmer.

Traditionally, learning a job was done through apprenticeships. Dukas’ The Sorcerer’s Apprentice musically demonstrates how a little knowledge can do damage.

Satie's Sonatine Bureaucratique is a humorous parody of Clementi's Sonatina Op. 36 No. 1. It musically depicts the daily life of the Parisian bureaucrat.

Another pointed message about labor is conveyed in Antheil’s Ballet Mecanique. It was written the same year as Gershwin’s Rhapsody in Blue, and focuses on urban labor. In this case, the repetitiveness of factory work is emphasized.

On the other hand, Verdi’s Il Trovatore is best known through its “Anvil Chorus”, sung by gypsies who are proud of their hard work.

The sometimes-troubling life of the worker is depicted in music as well. Mozart’s Figaro, a valet, has trouble with his Count master in The Marriage of Figaro. Later, in Rossini’s The Barber of Seville, Figaro becomes a barber, but still has troubles with the Count.  Bizet’s Carmen follows the deeper troubles of a seductive cigarette worker.

Workers’ hard labor often led to unionization. Arnold’s Peterloo Overture was written for the 1968 centenary of the Trade Union Congress.

This Labor Day, we honor the labor of pianists and other musicians everywhere who make our labor a little easier to bear.